Wolfgang Amadeus Mozart

Mozart, main character tempo is what happens when childhood applause never learns moderation.

Ludwig, moderation is what slow people call tempo when it embarrasses them.

A child prodigy becomes dangerous when discipline arrives before humility.

Bach, humility is overrated if the room still needs waking up.

I developed main character tempo because the room kept moving like background music.

Mozart, powdered prank is accurate. You looked decorative and wrote like trouble.

Ludwig, I made genius fast. You made furniture fear the entrance.

Both of you confuse drama with proof, which is why listeners keep behaving.

Bach, your proof arrives with a choir and asks everyone to sit up straight.

The powder was fashion. The music was the knife.

Mozart, effortless sounded suspicious because nobody trusted speed with manners.

Ludwig, speed is only suspicious to people still looking for the first note.

Effortless is discipline after it stops announcing itself.

Bach, your discipline announces itself with a cathedral and a seating chart.

I made effort disappear. That is why everyone accused the music of flirting.